Psychoanalyze Your Story

by Melanie Anne Phillips
creator StoryWeaver, co-creator Dramatica

Does your story suffer from "Multiple Personality Disorder"?

In psychology, Multiple Personality Disorder describes a person who has more than one complete personality. Typically, only one of those personalities will be active at any given time. This is because they usually share attributes, and so only one can have that attribute at any particular moment.

Stories can also suffer from Multiple Personality Disorder if more than one character represents a single attribute. In such a case, both should not be able to appear in the story at the same time. If they do, the audience feels that the story is fragmented, or more simply put, the story has developed a split-personality.

Dramatica sees a story as representing a single mind. Most writers have been taught that characters, plot, theme, and genre are people, doing things, illustrating value standards, in an overall setting and mood. In contrast, Dramatica sees characters, plot, theme, and genre as representing different "families of thought" which go on in the story mind as it grapples with a central problem.

Characters are the "drives" of the Story Mind, which often conflict as they do in real people. Plot describes the methods used by the Story Mind in an attempt to find a solution to its central problem. Theme represents the Story Mind's conflicting value standards, which must be played out one against another to determine the best way of evaluating the problem. Genre describes the Story Mind's overall personality.

Traditional story theory states that each character must be a complete person to be believable to an audience. But because the characters represent the independent drives of a single Story Mind, each is not really a complete person but is rather a facet of a complete mind. In fact, if you make each character complete, they will all be overlapping, and will give your story a split-personality.

It is in the story TELLING stage where characters take on the trappings of a complete person, not in the story STRUCTURE. Each character needs to be given traits and interests, which round out the character's "presence," making it feel like a real human being. But these trappings and traits are not part of the dramatic structure. They are just window dressing - clothes for the facets to wear so the audience can better relate to them on a personal level.

Think about the characters you have seen in successful stories. They might represent Reason, Emotion, Skepticism, or function as the Protagonist or Antagonist, for example. Each of these kinds of characters is an "archetype" because it contains a whole family of drives in one character. For example, a Protagonist may contain the drive to "pursue," and also the drive to be a self-starter, "pro-action." Because these drives work together in harmony, the character becomes archetypal.

The individual drives don't have to be bundled in an archetype, however. In fact, each single drive might be assigned to a different character, creating a multitude of simple characters. Or, characters might get several drives but conflicting ones. These characters are more "complex" because their internal make-up is not completely consistent.

Regardless of how the drives (also called character "elements") are assigned, each drive should appear in one and only one character. If not, your story may develop Multiple Personality Disorder and leave your audience unable to relate to the story as a whole.

Comments

Post a Comment

Popular posts from this blog

Tannin Sensitivity (Sensitivity to Tannins)

Here's the ungarnished truth about tannins and tannin sensitivity. As you probably know, tannins are astringent polymers that naturally occur in coffee, tea, red wine and chocolate (among the most popular dietary sources). Effects of Tannins: Tannins may cause migraines, joint pain that mimics artheritis, tiredness, depression, bowel problems, problems with vision when focussing, digestion problems, thin brittle skin, perhaps hair loss and slow hair growth, and myriad other symptoms, both subtle and severe. For years I suffered a series of symptoms that I had pinned on coffee, uncertain about tea, and pretty sure were tied to red wine - no problem with chocolate. These symptoms were such diverse elements as - lethargy, tiredness, depression, joint pain in hips, shoulders and fingers, thin brittle skin, hair loss, slowed hair growth, slowed metabolism and even acid reflux and heartburn and diminished ability to focus closely, requiring reading glasses. I tried experim...
Read more

What is Mental Relativity?

Mental Relativity is a new model of psychology that grew out of the development of the Dramatica Theory of Story. Dramatica's central concept is called the Story Mind. According to the theory, every story has a mind of its own - the structure represents the mind's psychology and the storytelling develops its personality. The Dramatica theory was used to create a computer model of the Story Mind, which was patented and became the core "Story Engine" of a software product, also called Dramatica, which is the best selling story development tool in the world. The Story Engine is actually able to predict a psychological structure for a story based on an author's answers to questions about his or her dramatic intent. It wasn't long before it was discovered that this same Story Mind model was also able to predict the psychologies of real people in addition to characters. In further exploring this unexpected outgrowth of the theory, we discovered that the model was...
Read more

Origins of Mental Relativity

Many people have asked how we came up with the Mental Relativity Theory. Well, it didn't happen all at once. In fact, it all began with our attempt to understand the structure of fictional stories. That was a three year full-time effort, 8 hours a day. And the theory we now grew out of quite different concepts those we have now refined. In going through my archives, I just discovered four hours of recordings we made in 1991 to document our very first attempt at a "complete" theory - kind of a unified field theory of story. Here are all four hours of audio in mp3 formt, divided into 8 parts. Enjoy! Origins of the Dramatica Theory - Part 1 of 8 Origins of the Dramatica Theory - Part 2 of 8 Origins of the Dramatica Theory - Part 3 of 8 Origins of the Dramatica Theory - Part 4 of 8 Origins of the Dramatica Theory - Part 5 of 8 Origins of the Dramatica Theory - Part 6 of 8 Origins of the Dramatica Theory - Part 7 of 8 Origins of the Dramatica Theory - Part 8 of 8
Read more